The different structures are comparable in game plan to Phnom Krom yet with the distinction that here the
three asylum towers rise to in size. They were discovered, after clearing, gravely destroyed and without their
upper levels, despite the fact that the evacuation of the fallen brick work - finished toward the east and just began toward the west
- uncovered the wall painting design to be fabulous in craftsmanship and obviously better protected than at Phnom
Krom, the stones here not having endured the components.
The frontons are all for all intents and purposes comparative, and a few have been
remade on the ground. Despite the fact that harmed, they unmistakably show
tympanums with the shallow enrichment that describes the craft of
Yasovarman. Almost square in extent and marginally befuddling in
piece - however effectively confined by the tremendous makaras that complete the
line of the curve - they have a focal cheek enhanced with a figure flanked by
expansive flaring volutes, improved with puppets and bordered with a changing
number of little heads of divinities.
Despite the fact that the wall painting adornments on the towers toward the north and south
stayed unfinished, all around one discovers components like those at
Bakheng and Phnom Krom, however with slight varieties in subtle element - the devatas'
countenances are here full advances and the confining of the specialties is more choked.
